We started as musicians interested in the common elements: resonance, and the truly tangible energy which it exudes. Instruments of the world, didgeridoo, hang drum, sitar, singing bowl, celtic bells, guitars, and various other instruments all produce similar frequencies which combine to produce bliss.
Now, our album has been downloaded over 10,000 times around the world. We have performed all over California, at everything ranging from weddings to conventions and even famous bars including:
New Living Expo – San Mateo Convention Center 2015
Globe Sound Healing Expo – Kaiser Center, Oakland 2015
San Francisco Crystal Fair 2016
Milk Bar 2015
Sub Mission SF 2015
World Yoga Conference, Santa Clara, 2016
Find our music here: Albums
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Aashay Tutika – Classically trained multi-instrumentalist, social entrepreneur, and Handpan composer
Emile Janse – Recognized sound healer, didgeridoo performer, and flautist
Bob Heyman – Multi-instrumentalist, percussionist
Many other accompanists join the Satori Ensemble in recordings and performances including guitarists, harpists, sitar performers, pianists, and various world instruments.
About The Handpan:
In 2000, two instrument inventors (who had been making Trinidad style steel drums) in Switzerland created the first Hang (“hand” in the Swiss Bernese dialect, pronounced “hung”). It looked like a flying saucer, and sounded like a steel drum crossed with a marimba and a tabla. The Hang had its roots in the steel drum, ghatam (India), Udu (North Africa), Gamelan (Indonesia), and several other world instruments. Played with the hands, its resonance and tonalities were deep, soothing and evocative. Fast forward a few years and other makers (mostly builders of steel pans) began making instruments similar or identical to the Hang. As the Swiss people insisted the name Hang only be used in reference to instruments they themselves made, the other builders began calling their instruments “Handpans”. Many think they look like flying saucers, “two woks stuck together”, or a BBQ kettle. This could be one of the few new instruments of the last 100 years or so capable of joining the ranks of internationally popular instruments and capable of appealing to a wide range of people. Handpan builders are unable to keep up with the demand and as a result there are long waiting lists and lotteries for those who want to get one.